THE somewhat otherworldly 42-year-old performer Lee Swee Keong is perhaps best known for his white-faced and loin-clothed interpretations of Butoh, a Japanese dance form developed in the 1960s. Created by Tatsumi Hijikata and Kazuo Ohno in 1959, this vocabulary of movement, which typically involves mischievous or grotesque imagery, was intended to question and subvert more […]
The Nut Graph
Making Sense of Politics & Pop Culture
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